Portrait of Baltasar Carlos of Spain Painting by Juan Bautista Martinez del Mazo
This work was registered with the number 227 in the 1794 inventory of paintings at the country estate of the Duke of el Arco (a part of the testament of Charles III), where it was identified as a portrait of painter Juan Bautista Martínez del Mazo.
Juan Bautista Martínez del Mazo La familia del pintor Bitácora Almendrón
Juan Bautista Martínez del Mazo (1610-15-1667) - Don Balthazar Carlos (1629-1646), son of Philip IV of Spain - RCIN 403019 - Royal Collection.jpg 836 × 1,650; 1.26 MB. Juan Bautista Martínez del Mazo - Portrait of the Infanta Margarita - WGA14705.jpg 777 × 876; 117 KB.
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The Artist: Born around 1612, little is known of Juan Bautista Martínez del Mazo's life and training prior to his marriage in 1633 to Francisca de Silva Velázquez y Pacheco, daughter of Diego Velázquez. As her name indicates, her mother was the daughter of Francisco Pacheco, a leading art theorist and painter of the previous generation with whom Velázquez had trained.
Juan Bautista Martínez del Mazo (1610/151667) Carlos II, King of Spain as a Child (16611700)
Martínez del Mazo, Juan Bautista. ¿Beteta? (Cuenca), Hacia 1611 - Madrid, 1667. Su asimilación de los modos velazqueños y la calidad que ello conlleva hace que en ocasiones sea difícil adjudicar al maestro o al discípulo la paternidad de algunas obras. Los lazos de Mazo con Velázquez se hicieron familiares en 1633, fecha en la que casó.
Juan Bautista Martínez Mazo, Retrato de la infanta Margarita, 1660 Museo Nacional de Bellas
Juan Bautista Martínez del Mazo (¿ Beteta ?, provincia de Cuenca, c. 1611 - Madrid, 10 de febrero de 1667) fue un pintor barroco español, discípulo y yerno de Velázquez. Pintor de cámara y especializado en retratos, dejó también vistas de ciudades, paisajes y copias de los grandes maestros en lo que, según Palomino, fue «tan único, y.
Martínez del Mazo o el caso de los salones del Alcázar Revista de Arte Logopress
Juan Bautista Martínez del Mazo was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of his father-in-law Velázquez, whose style he imitated more closely than did any other artist. A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work View of Saragossa..
Paintings Reproductions Landscape with Figures by Juan Bautista Martinez Del Mazo (16051667
Juan Bautista Martínez del Mazo. ca. 1636 or later. María Teresa (1638-1683), Infanta of Spain. Juan Bautista Martínez del Mazo. ca. 1645. Juan de Pareja (ca. 1608-1670) Velázquez (Diego Rodríguez de Silva y Velázquez) 1650. Portrait of a Man. Velázquez. ca. 1650. View of Toledo.
Juan Bautista Martínez del Mazo Alchetron, the free social encyclopedia
Juan Bautista Martínez del Mazo (hwän boutēs´tä märtē´nĕth dĕl mä´thō), c.1612-1667, Spanish portrait and landscape painter. He was the pupil and son-in-law of Velázquez, with whom he lived and collaborated and whom he succeeded in 1661 as first court painter to Philip IV. There are few extant paintings that scholars agree are his.
Sold Price MARTINEZ DEL MAZO, JUAN BAUTISTA (ATTRIBUTED) September 5, 0118 200 PM CEST
Juan Bautista Martínez del Mazo (1612-1667) National Trust, Kingston Lacy (b Cuenca province [probably Beteta], c.1612/15; d Madrid, 10 Feb. 1667). Spanish painter. He was a pupil and assistant of Velázquez, married his daughter in 1633, and succeeded him as court painter in 1661. His life is fairly well documented, but his work is not.
Juan Bautista Martinez del Mazo Artwork for Sale at Online Auction Juan Bautista Martinez del
Juan Bautista Martínez del Mazo (ca. 1612-1667) is notably absent, which is astonishing given that his paintings occupy the upper half of one of the most important Spanish artworks, Velázquez's Las Meninas. However, Mazo has been merely a footnote in Spanish Art History. He is literally a footnote in Jonathan Brown's seminal Painting in.
pinturamadrid juan bautista martinez del mazo don adrian pulido pareja 1647
Juan Bautista Martínez del Mazo. Spanish artist (1612-1667) La família del pintor, Museu d'Història de l'Art de Viena. Upload media. Wikipedia. Date of birth. unknown value (after 1605, before 1612) Cuenca. Date of death.
Juan Bautista Martinez del Mazo Portrait of Olivares
Juan Bautista Martínez del Mazo was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of his father-in-law Velázquez, whose style he imitated more closely than did any other artist. A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work View of Saragossa.
Juan Bautista Martínez del Mazo Alchetron, the free social encyclopedia
This portrait - one of Juan Bautista Martínez del Mazo's finest works - was painted the year after the death of her husband Philip IV, King of Spain. Their son and heir, Charles, was too young to take to the throne, leaving Mariana to rule as regent until 1677.
del Mazo, Juan Bautista Martínez, 16121667 Art UK
Su trabajo en la corte le hizo dedicarse a una temática peculiar, que le distingue con respecto a otros artistas contemporáneos, mayoritariamente empleados en pinturas religiosas. Mazo, en cambio, desarrolló una vena profana singular y, en algunos casos, muy personal. Además, el Prado conserva una gran producción del Mazo copista.
Juan Bautista Martinez del Mazo Portrait of a Woman
Juan Bautista Martínez del Mazo was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of his father-in-law Velázquez, whose style he imitated more closely than did any other artist. A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work View of Saragossa..
Juan Bautista Martinez del Mazo Portrait of Baltasar Carlos
Pintor. Hijo de Hernando Martínez, natural de Alarcón (Cuenca), y de Lucía Bueno del Mazo, Juan Bautista Martínez del Mazo nació probablemente hacia 1611 en la localidad conquense de Beteta. Es sin duda el más "velazqueño" de los pintores españoles del Siglo de Oro, y su trayectoria personal y profesional está íntimamente ligada a.
